Adeeb
Michelangelo, considered as one of the
greatest living artist in his lifetime created many sculptures through which he
was able to express themes relating to different topics. The talent
Michelangelo had allowed him to be able to created sculptures that not only
could hold multiple but such profound themes is what made him one of the men of
genius. This sense of trying to escape from the things of life is what the
sculptures are representing, desires and personal conflicts could make this
life that we are free in feel that in reality we are actually trapped . His
statues of the captives that he constructed may seem to be unfinished but are
still able to relate to the era he lived in, his personal self and certain
philosophical ideas.
The sculptures of the captives all seem to
be leaning on one foot, twisting their torso while writhing and trying to
escape, but when someone normally wants to escape they want to leave with their
bodies still with them. In this case the statues are trying desperately to escape
their bodies as they are prisoners to it. Descartes talks about how we are made
up of two parts, our body and mind and that essentially our mind is who we are and
our body is just a vessel to keep our mind in. Our mind is immortal and will
outlast our body, so this material trapping of it inside the body restrains it
and succumbs it to the physical desires that we all long for. Freud talks about
the Id and superego, the superego is the social standards we learn as a kid,
this sense of rules or guidelines creates restrictions not letting us express
fully who we are. The Id is the instinctual drives that needs immediate
satisfaction, these needs we need to appease can end up in hurting us or the
people around us, be it by unintentional acts or by doing whatever we need to
do, bad or good to fill these urges. The act of trying to escape our bodies
would be us trying to be free from these self restraints.
Michelangelo’s prisoners all seem to have
their heads tilted away so you can not see them or have a hand that is covering
it, it would suggest that they are in shame or humiliation. Is this a feeling
Michelangelo was feeling and that was conveyed into his sculptures? He was
commissioned to paint a decoration in the hall of the great council of the new
democratic council and chose to do a group of Florentine soldiers taken by
surprise simply because he could draw them nude. This type of evidence would
come to believe that Michelangelo was homosexual. But him, such a religious man
whose religion condemned people with these kinds of desires must have felt very
confused and conflicted as to whether theses thoughts in his head were right or
not. The Dying Slave is seen as more sexual and him lifting and taking off his
shirt as if to expose himself to everyone can be seen as Michelangelo wanting
to unmask himself and let this secret burning inside of him out. Not being able
to tell anyone afraid it would go to the wrong person would have made him feel
trapped inside his own body not being able to do anything about it.
The renaissance was a time where
discernable growth and change was made, and Michelangelo was able to capture
all of this not with words but with solid stone objects that he was able to
carve stories into. This great and complex mind of his, was it trapped? These
captives represent something more than just statues for the tomb of Pope Julius
II , they are filled to the brim with ideas and thoughts. Michelangelo put all
his knowledge of himself and the world around him into these few sculptures.